Dee Snider Net worth: American singer-songwriter, actor, radio host, and screenwriter Dee Snider has a $7 million net worth. As the lead singer of the heavy metal band Twisted Sister, he rose to fame in the early 1980s. In addition, Snider created the 1998 slasher movie “Strangeland,” and he has hosted and guest-starred on numerous television shows.
|Net Worth:||$7 Million|
|Date of Birth:||Mar 15, 1955 (67 years old)|
|Height:||6 ft (1.85 m)|
|Profession:||Actor, Singer-songwriter, Screenwriter, Radio personality, Musician, TV Personality, Voice Actor, Spokesperson, Film Producer|
|Nationality:||United States of America|
Dee Snider Early Life & Education
Daniel Snider was reared close by in Baldwin, Long Island, after being born in Astoria, Queens, New York, in 1955. His father, Bob, is a former New York State Trooper from a Jewish family, and his mother, Marguerite, is a retired art teacher of Swiss origin. Snider and his siblings, on the other hand, were brought up as Episcopalians.
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— Dee Snider🇺🇸 (@deesnider) July 1, 2022
He participated in the concert choir while a student at Baldwin Senior High School. Snider was chosen for the All-State Chorus because of his vocal abilities, which he also developed in a church choir.
Dee Snider Personal life
Since 1981, Snider has been married to Suzette, a costume designer, with whom he shares four children: Jesse, Shane, Cody, and Cheyenne. Jesse, the family’s oldest son, presented “MTV2 Rock” and finished second on the reality competition program “Rock the Cradle,” on which Snider appeared as his coach.
Snider spent some time residing in East Setauket, New York. He displayed his Long Island residence while appearing on “MTV Cribs” in 2005. Later, he bought a two-bedroom condo at Turnberry Towers, an opulent building close to the Las Vegas Strip, which was located on the 36th level. During his stay, he added designer tile, accent walls, and marble flooring. He sold the area in 2020 for $583,000 in total.
Dee Snider Professional Career
In 1976, Snider became the only songwriter for the heavy metal band Twisted Sister, which was originally from Ho-Ho-Kus, New Jersey. The group gained popularity in the UK after releasing its debut studio album, “Under the Blade,” in 1982. “You Can’t Stop Rock ‘n’ Roll,” which produced the hits “The Kids Are Back” and “I Am (I’m Me),” came after the album. “Stay Hungry,” the third and most popular album by Twisted Sister, was released in 1984.
The band’s two biggest songs, “We’re Not Gonna Take It” and “I Wanna Rock,” was on this album, which eventually went multi-platinum and sold more than 3,000,000 copies in the US. Around this time, Snider developed his recognizable look, which included long, curly blonde hair and heavy metal-inspired eye shadow, rouge, and red lipstick.
Midway through the 1980s, MTV debuted “Heavy Metal Mania,” the network’s first show made completely of heavy metal videos. In June 1985, Snider served as the show’s inaugural host. Twisted Sister released its fourth studio album, “Come Out and Play,” in that year. It was less popular than “Stay Hungry,” but it still sold more than 500,000 copies to get the gold certification. The next year, 1987, saw the release of “Love Is for Suckers,” which was initially intended to be Snider’s solo effort. The album intended to be the group’s last before disbanding and the last to have just original songs.
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After a shortened tour in 1987, Snider made an official announcement of his departure from Twisted Sister. He ultimately founded the band Desperado, which included former Gillan guitarist Bernie Torme, bassist Marc Russell, and drummer Clive Burr from Iron Maiden. Only one album, “Ace,” which the trio recorded, never saw a public release.
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Following the dissolution of Desperado, Snider established Widowmaker in 1991 with Marc Russell, Joe Franco, a buddy and drummer, and Al Pitrelli, a guitarist. They collaborated on the albums “Stand By for Pain” and “Blood and Bullets,” neither of which was particularly well-liked among underground audiences.
Dee Snider’s SMFs, a self-referential band that Snider later formed in the second half of the decade, went on tour with him. The group’s members included Derek Tailer, Keith Alexander, Charlie Mills, and occasionally former Twisted Sister drummer A.J. Pero.
Dee Snider On the Radio
Snider began his radio career in 1997 when he was named the host of the syndicated heavy metal radio programme “The House of Hair,” which aired on more than 200 stations across North America. Later, Snider hosted Dee Snider Radio, a morning radio programme on the Clear Channel station in Hartford, Connecticut, from 1999 to 2003.
Sean Robbins, Beth Lockwood, and Nick Lentino were fellow cast members, and Gene Simmons and Ozzy Osbourne appeared as guests. Snider has worked on computer games, television shows, and motion pictures in addition to music. He voiced the primary antagonist in “Jak and Daxter: The Precursor Legacy” for the PlayStation 2 in 2001.
Dee Snider Other Media Projects
Additionally, he has provided character voices for episodes of the Series Network programme “Secret Mountain Fort Awesome” and the Nickelodeon cartoon “SpongeBob SquarePants.” Snider has hosted several programmes and specials on VH1, and in 2008, he competed on CMT’s “Gone Country.” He also narrates a live presentation called “Van Helsing’s Curse” that travels across the country around Halloween. He hosts “Dead Art” on Gallery HD.
Snider has also made appearances on reality programmes like “The Celebrity Apprentice,” “Celebrity Wife Swap,” and “Growing Up Twisted.” Snider appeared in cameo roles in the films “Private Parts” and “Pee-Big wee’s Adventure.” He wrote the slasher movie “Strangeland” in 1998. Documentaries like “Warning: Parental Advisory,” “Kiss Loves You,” and “Metal: A Headbanger’s Journey” have been featured in later film credits.
Dee Snider Congress Testimony
Snider, along with Frank Zappa and John Denver, appeared in a Senate hearing held by the Parents Music Resource Center in 1985 to speak against the implementation of a parental warning system for records with harmful material. They were successful because the system was never put into operation; instead, records judged unsuitable were given the general “Parental Advisory” label.