Yuka Tachibana’s light book series The Saint’s Magic Power Is Omnipotent (Seijo no Maryoku wa Bann Desu) is written and illustrated by Yasuyuki Syuri. Serialization started in 2016 on the Shsetsuka ni Nar user-generated novel publishing platform. Fujimi Shobo, who has since February 2017 published eight volumes under their Kadokawa Books banner, later purchased the manga.
Fujiazuki has drawn the manga adaption, which is now being serialized online at Kadokawa Shoten’s ComicWalker website. Seven Seas Entertainment has the North American rights to both the light novel and the manga. From April to June of 2021, Diomedéa produced and aired an anime television series adaption of the manga. The show has been renewed for a second season.
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The Saint’s Magic Power Is Omnipotent Season 2 Storyline
Sei stands out from the crowd of ecstatic isekai heroines at this time. When she discovers that she has been completely ignored, it makes her furious, and she demands to be let go immediately. She quickly tries to rush out of the castle, much to the shock of the rest of the officials, knights, and magicians in the room, who likewise are aghast at the prince’s behavior.
Desperate to keep Sei happy (just in case she’s the true saint, rather than Aira), they encourage her to stay and soon misread her succumbing to tiredness as a sign of weak health rather than a product of Japan’s rigorous work ethic. To top it all off, Sei thinks they’re abandoning her because they prefer Aira, but in fact, they’re trying to give her a chance to heal.
Eventually, Sei manages to sneak out of the palace proper and reach the royal herbal medicine research facility, which is where the narrative truly begins. Sei becomes a researcher at the facility in fairly short order, which makes everyone happy – Sei because she has something to do that she’s interested in (herbal remedies have been a hobby of hers) and the court because now they have time to sort things out without worrying that they’ve pissed off their one hope of salvation.
We experience these two tales through both regular chapters in Sei’s first-person narration and “behind the scenes” chapters in the third person, where we’re filled in on government matters. It’s evident from both that the government as a whole isn’t corrupt; the crown prince is just a ditz and everyone is caught between fury at his acts and genuine worry that everything has been damaged by him.
Another reason for no one objecting to Sei’s request is that she is employed at a research center where the mages can assess her magical skill and potential, while Aira is enrolled at an area magic school (organized by the prince). That takes us to one of the few positive uses of “stats” in fantasy fiction. In spite of the fact that a level system exists in an otherwise non-game environment, Sei’s ability to see it tells us that she has some sort of superpower.
Even Sei recognizes that she’s extremely over-powered, implying that she, and not Aira, is definitely the Saint, something about which she’s split. The upside is that Sei can pick up new abilities quickly and easily. On the other, for the first time in her adult life, she’s living in a world where others actively want her to not work herself to the breaking point, and it means that she’s able to enjoy a happier life than ever before.
Would she really want to give that up for a kingdom that, as far as she knows, ignored her arrival? The story’s hook is found in the small elements of Sei’s new existence. While she still retains the work ethic that was, effectively, implanted into her upon joining corporate life in Japan, the people around her all actively urge her to establish a healthy work/life balance.
By caring about her, Sei feels safe getting to know them and so cannot ignore the fact that her powers could aid the people she’s growing fond of. Here, Sei is shown to be divided in her interactions with the wounded in two moments where she tends to side with altruism, albeit with some thought to the costs. The first of these scenes also leads to the love subplot, which is firmly in the “subplot” category; as of this volume, this is a fantasy novel with some romance, not a romance novel in a fantasy setting.
To be fair to Sei, who has only had a few interactions with men and has never had to deal with a man’s attention before, she’s a little naive when it comes to interpreting Albert’s crush in a way that I know from personal experience is entirely plausible.
The Saint’s Magic Power Is Omnipotent Season 2 Casts And Characters
When Yui Ishikawa was originally represented by Sunaoka Office, she now represents herself through mitt management. She usually works largely on stage. Classical ballet, jazz, and tap dancing are among her specialties.
Kana Ichinose is a Japanese voice actor from Hokkaido. Ichigo, a significant character in the anime series Darling in the Franxx, was the first major part she had in 2018.
Yusuke Kobayashi is a Tokyo-based Japanese voice actor. He’s a part of Yu-rin Pro’s team. In 2017, he won the Best New Actor Award at the 11th Seiyu Awards. He was raised in Tokyo and stands at a height of 1.64 m
The Saint’s Magic Power Is Omnipotent Season 2 Release Date
Production on the second season of the anime television series The Saint’s Magic Power is Omnipotent has already been given the green light. There was a press release announcing this on the 9th of March, 2022. The second season will find Lady Sei Takanashi fighting new opponents, discovering culinary ingredients in port cities, and meeting a new… foreign Prince?! The real question is, when will there be a new season of Seijo no Maryoku wa Bannou Desu?
The Saint’s Magic Power Is Omnipotent Season 2 Trailer
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